The Beginning (2002)
The Absynths' origins can be traced back to 2002, when Esteban Chavez formed an alternative rock band called “Vorspiel”, with Fidencio Loza Jr. Soon after the formation of Vorspiel, the group decided to add Erick Vasquez, converting the duo into a trio. After a year of performing and writing material, Chavez felt that the band was progressing, but he wasn’t.
He then decided to leave the group before completing an album. When explaining his departure from Vorspiel to friends years later, Chavez said, “When I initiated that project, I was unsure of what I really wanted in terms of music and what the results would be. I explained how I felt to Fidencio and Erick and they understood. After a year of writing songs with them, I got a better understanding of what I wanted my music to be. So then I tried to gradually change the method of how we wrote music and the sound of it. However, the results weren’t what I expected and I had no choice, but to leave Vorspiel.” Shortly after his departure, Loza and Vasquez went their separate ways.
Formation of The Absynths (2003)
As for Chavez, he began writing material after taking a year off from music; his new material during that time was heavily influenced by post-punk. He knew he would need assistance with his new music so he asked his close friends John Gonzales (Guitar) and Christian Garcia (Vocals) to join his new and untitled project. Gonzales suggested to Chavez that he should recruit his good friend and he agreed to meet him and have him audition. As a surprise, it was former Vorspiel bassist Erick Vasquez. After their meeting, they resolved their differences and became close friends once more.
In 2004, Chavez fired Garcia due to lack of commitment to the project and asked Catherine Serafin (Drums) to join. She began making suggestions right after she joined. In fact, she suggested to Chavez that his project should be called “The Absynths” and Chavez and the rest of the band agreed with Serafin’s suggestion. The new line up consisted of Esteban Chavez (Vocals/Keyboards/Guitar), John Gonzales (Guitar), Erick Vasquez (Bass Guitar), and Catherine Serafin (Drums).
Inspired by Serafin’s drive and presence, Chavez decided to write music that would have a darker and more aggressive feel to it. Sadly, Gonzales and Vasquez were not pleased with the direction Chavez wanted the group to go in, so they left The Absynths. Their departure from the group left Chavez and Serafin discouraged and lost. As a result, The Absynths went on hiatus for a year.
The Absynths’ Hiatus Ends (2005) In mid 2005, Chavez asked Serafin to help him write music and she agreed to do so; his new material was more guitar oriented than his previous work. They began rehearsing the material they wrote together, but the sound of their material felt empty. Chavez strongly believed he should add his close friend Emmanuel De La Cruz (Bass Guitar) to the group line up. So Chavez called Cruz over the phone and asked him to go out and talk. After 5 minutes of talking, Chavez knew that he would join and he did. Chavez, Serafin, and Cruz wrote material together and played their first show in October 2005. As for the remainder of the year, the group worked on writing new material and organizing shows for the following year.
No Silence Records (2006)
Cruz suggested recording the material the group had written and so they did. The group had no idea how they would record their music, but through a friend they were introduced to Humberto Guillen (Vocalist for The Novaz and co-founder of No Silence Records). Guillen offered to help, if The Absynths were to join his independent record label No Silence Records. Chavez and the rest of the band discussed the offer that Guillen proposed and accepted under two circumstances. The group wanted complete control of their music and they wanted to have time to really write songs without feeling rushed to release new material.
Encouraged by the band’s determination and youth, Guillen believed that The Absynths would be a breakthrough for his record label. Only days after their meeting, recording sessions were scheduled.
During the recording sessions, Cruz began to privately discuss his discomfort at the direction the band was going in with Medrano. Cruz later expressed to Chavez that The Absynths was heading down a very dark and frightening path that would lead to devastating results.
In April of 2006, Cruz announced his departure to the rest of the group. The Absynths was then forced to stop the recording sessions and search for a new bassist.
Chavez held auditions and school friend Jonathan Perez (Saxophone/Percussions/Art Designer) was hired. However, his abilities to play bass were very limited and Chavez was very disappointed. Perez then confronted Chavez and told him he felt really insecure playing bass, but he suggested that he was able to play the saxophone. Chavez hesitated, but decided to give him a chance. After two months of rehearsing with him, Chavez felt he should remain with the band because his contribution and presence was greatly appreciated and unique.
The Absynths were ready to record again, but this time Chavez would record and re-create and alternate the material he had written with Cruz. Guillen suggested to Chavez that his close friend and associate Felix Bada (Bass Guitar/Art Designer) should help them with the recording sessions. Chavez quickly took it into consideration after not seeing any results from the recording sessions with Guillen.
Felix Bada and Esteban Chavez had met before at one of The Absynths' performances, but never discussed any plans in working together. Once they met again, Chavez asked him to join The Absynths and Bada accepted.
In August of 2006, Humberto Guillen and Eric Medrano decided to abandon The Absynths and focus on other projects. As a result, all the work that The Absynths had was erased and the group decided to take a break and relocate to focus on recording once more.
Set list: (not in chronological order)
- Dramatic Sequence
- Anaclasis of Necrobiosis
- Texture Decay
- Haruspex
- Malignant Spirit
- Vendetta
- Whisper
Façade (2007-2009)
In 2007, The Absynths decided to take a year off from recording to focus on writing new songs. Towards the ending of the year, the group began recording once again and decided to search for another guitarist to fill up the sound of The Absynths.
By surprise, Vasquez called Chavez to ask him if he could join once more, but as a guitarist. Chavez was unsure at first, but decided to give him one last chance. Vasquez proved that he was worth keeping because of his support and dedication to the band. He assisted Chavez and Bada with a few recording sessions.
As for the other album, it has yet to be named. 7 demo songs have been created for the yet to be titled album.
Upon finishing “Façade”, the group rehearsed until the summer of 2008. Once the summer came, Catherine Serafin left to London, Erick Vasquez left to North Carolina, and the rest of the group took time off to focus on solo projects. Chavez wrote a solo album entitled "Transition",Bada wrote new material for his solo project “Severe Head Trauma” and began filming his debut film “Zygote”, and Perez started a side project called “LSD Turntables”.
In December of 2008, The Absynths decided to return to the studio to work on new material without Erick Vasquez.
The band embarked on a small local tour in 2009 with supporting acts "When IOD", "Naima Earth", and "Vid.di.ous". The group performed new material. Their 2009 set list consisted of the following songs: (not in chronological order):
- Vivacious Deception
- Contaminated Stutters
- Anaclasis of Necrobiosis
- Dramatic Sequence
- Blood Ocean (renamed 'Waves')
- Proselytize
- Annuit Coeptis
- Vendetta
(2010)
The Absynths began the new year with the departure of Catherine Serafin. Her absence strongly influenced the remaining members to write consistent new material with drummer Richard Arce Connine. After months of working together, the group wrote unreleased songs 'La Technica', 'Nothing In Particular', 'Funny Farm', and 'When The Reckoning Comes'. With all this new material, the group were enthused to start another small tour. However, due to personal reasons the group cancelled their local tour.
The group got in contact with Serafin once again and they reunited. A local tour has been arranged for the group. Their first 2010 show took place on Thursday, September 2nd. For more info, check out the tour dates for this year and next!!!
Set list:
- One Fragile Molecule (jam)
- Dramatic Sequence
- Movement Inside A Desperate Soul
- Waves
- Annuit Coeptis
- Mother, The Sun Is Down (premature)
- Anaclasis of Necrobiosis
(2011) An Acute Acoustic Tour